At America's Gates by 
Asian/American by
This book argues that the invention of Asian American identities serves as an index to the historical formation of modern America. By tracing constructions of "Asian American" to an interpenetrating dynamic between Asia and America, the author obtains a deeper understanding of key issues in American culture, history, and society. The formation of America in the twentieth century has had everything to do with "westward expansion" across the "Pacific frontier" and the movement of Asians onto American soil. After the passage of the last piece of anti-Asian legislation in the 1930's, the United States found it had to grapple with both the presence of Asians already in America and the imperative to develop its neocolonial interests in East Asia. The author argues that, under these double imperatives, a great wall between "Asian" and "American" is constructed precisely when the two threatened to merge. Yet the very incompleteness of American identity has allowed specific and contingent fusion of "Asian" and "American" at particular historical junctures. From the importation of Asian labor in the mid-nineteenth century, the territorialization of Hawaii and the Philippines in the late-nineteenth century, through wars with Japan, Korea, and Vietnam and the Cold War with China, to today's Asian Pacific Economic Cooperation group, the United States in the modern age has seen its national identity as strongly attached to the Pacific. As this has taken place, so has the formation of a variety of Asian American identities. Each contains a specific notion of America and reveals a particular conception of "Asian" and "American." Complicating the usual notion of "identity politics" and drawing on a wide range of writings--sociological, historical, cultural, medical, anthropological, geographic, economic, journalistic, and political--the author studies both how the formation of these identifications discloses the response of America to the presence of Asians and how Asian Americans themselves have inhabited these roles and resisted such categorizations, inventing their own particular subjectivities as Americans.
Asian Americans in Dixie by
Extending the understanding of race and ethnicity in the South beyond the prism of black-white relations, this interdisciplinary collection explores the growth, impact, and significance of rapidly growing Asian American populations in the American South. Avoiding the usual focus on the East and West Coasts, several essays attend to the nuanced ways in which Asian Americans negotiate the dominant black and white racial binary, while others provoke readers to reconsider the supposed cultural isolation of the region, reintroducing the South within a historical web of global networks across the Caribbean, Pacific, and Atlantic. Contributors are Vivek Bald, Leslie Bow, Amy Brandzel, Daniel Bronstein, Jigna Desai, Jennifer Ho, Khyati Y. Joshi, ChangHwan Kim, Marguerite Nguyen, Purvi Shah, Arthur Sakamoto, Jasmine Tang, Isao Takei, and Roy Vu.
Hip Hop Desis by
Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young "hip hop desis" express a global race consciousness that reflects both their sense of connection with Blacks as racialized minorities in the United States and their diasporic sensibility as part of a global community of South Asians. She emphasizes the role of appropriation and sampling in the ways that hip hop desis craft their identities, create art, and pursue social activism. Some desi artists produce what she calls "ethnic hip hop," incorporating South Asian languages, instruments, and immigrant themes. Through ethnic hip hop, artists, including KB, Sammy, and Deejay Bella, express "alternative desiness," challenging assumptions about their identities as South Asians, children of immigrants, minorities, and Americans. Hip hop desis also contest and seek to bridge perceived divisions between Blacks and South Asian Americans. By taking up themes considered irrelevant to many Asian Americans, desi performers, such as D'Lo, Chee Malabar of Himalayan Project, and Rawj of Feenom Circle, create a multiracial form of Black popular culture to fight racism and enact social change.
Is Lighter Better? by
Colorism is defined as "discriminatory treatment of individuals falling within the same 'racial' group on the basis of skin color." In other words, some people, particularly women, are treated better or worse on account of the color of their skin relative to other people who share their same racial category. Colorism affects Asian Americans from many different backgrounds and who live in different parts of the United States. Is Lighter Better? discusses this often-overlooked topic. Joanne L. Rondilla and Paul Spickard ask important questions such as: What are the colorism issues that operate in Asian American communities? Are they the same issues for all Asian Americans--for women and for men, for immigrants and the American born, for Chinese, Filipinos, Koreans, Vietnamese, and other Asian Americans? Do they reflect a desire to look like White people, or is some other motive at work? Including numerous stories about and by people who have faced discrimination in their own lives, this book is an invaluable resource for people interested in colorism among Asian Americans.
Negotiating Ethnicity by
In the continuing debates on the topic of racial and ethnic identity in the United States, there are some that argue that ethnicity is an ascribed reality. To the contrary, others claim that individuals are becoming increasingly active in choosing and constructing their ethnic identities.Focusing on second-generation South Asian Americans, Bandana Purkayastha offers fresh insights into the subjective experience of race, ethnicity, and social class in an increasingly diverse America. The young people of Indian, Pakistani, Bangladeshi, and Nepalese origin that are the subjects of the study grew up in mostly white middle class suburbs, and their linguistic skills, education, and occupation profiles are indistinguishable from their white peers. By many standards, their lifestyles mark them as members of mainstream American culture. But, as Purkayastha shows, their ethnic experiences are shaped by their racial status as neither "white" nor "wholly Asian," their continuing ties with family members across the world, and a global consumer industry, which targets them as ethnic consumers." Drawing on information gathered from forty-eight in-depth interviews and years of research, this book illustrates how ethnic identity is negotiated by this group through choice--the adoption of ethnic labels, the invention of "traditions," the consumption of ethnic products, and participation in voluntary societies. The pan-ethnic identities that result demonstrate both a resilient attachment to heritage and a celebration of reinvention. Lucidly written and enriched with vivid personal accounts, Negotiating Ethnicity is an important contribution to the literature on ethnicity and racialization in contemporary American culture.
Partly Colored by
2012 Honorable mention for the Book Award in Cultural Studies from the Association for Asian American Studies Arkansas, 1943. The Deep South during the heart of Jim Crow-era segregation. A Japanese-American person boards a bus, and immediately is faced with a dilemma. Not white. Not black. Where to sit? By elucidating the experience of interstitial ethnic groups such as Mexican, Asian, and Native Americans--groups that are held to be neither black nor white--Leslie Bow explores how the color line accommodated--or refused to accommodate--"other" ethnicities within a binary racial system. Analyzing pre- and post-1954 American literature, film, autobiography, government documents, ethnography, photographs, and popular culture, Bow investigates the ways in which racially "in-between" people and communities were brought to heel within the South's prevailing cultural logic, while locating the interstitial as a site of cultural anxiety and negotiation. Spanning the pre- to the post- segregation eras, Partly Colored traces the compelling history of "third race" individuals in the U.S. South, and in the process forces us to contend with the multiracial panorama that constitutes American culture and history.
Racial Ambiguity in Asian American Culture by
The sheer diversity of the Asian American populace makes them an ambiguous racial category. Indeed, the 2010 U.S. Census lists twenty-four Asian-ethnic groups, lumping together under one heading people with dramatically different historical backgrounds and cultures. In Racial Ambiguity in Asian American Culture, Jennifer Ann Ho shines a light on the hybrid and indeterminate aspects of race, revealing ambiguity to be paramount to a more nuanced understanding both of race and of what it means to be Asian American. Exploring a variety of subjects and cultural artifacts, Ho reveals how Asian American subjects evince a deep racial ambiguity that unmoors the concept of race from any fixed or finite understanding. For example, the book examines the racial ambiguity of Japanese American nisei Yoshiko Nakamura deLeon, who during World War II underwent an abrupt transition from being an enemy alien to an assimilating American, via the Mixed Marriage Policy of 1942. It looks at the blogs of Korean, Taiwanese, and Vietnamese Americans who were adopted as children by white American families and have conflicted feelings about their "honorary white" status. And it discusses Tiger Woods, the most famous mixed-race Asian American, whose description of himself as "Cablinasian"--reflecting his background as Black, Asian, Caucasian, and Native American--perfectly captures the ambiguity of racial classifications. Race is an abstraction that we treat as concrete, a construct that reflects only our desires, fears, and anxieties. Jennifer Ho demonstrates in Racial Ambiguity in Asian American Culture that seeing race as ambiguous puts us one step closer to a potential antidote to racism.
Racial Asymmetries by
Challenging the tidy links among authorial position, narrative perspective, and fictional content, Stephen Hong Sohn argues that Asian American authors have never been limited to writing about Asian American characters or contexts. Racial Asymmetries specifically examines the importance of first person narration in Asian American fiction published in the postrace era, focusing on those cultural productions in which the author's ethnoracial makeup does not directly overlap with that of the storytelling perspective. Through rigorous analysis of novels and short fiction, such as Sesshu Foster's Atomik Aztex, Sabina Murray's A Carnivore's Inquiry and Sigrid Nunez's The Last of Her Kind, Sohn reveals how the construction of narrative perspective allows the Asian American writer a flexible aesthetic canvas upon which to engage issues of oppression and inequity, power and subjectivity, and the complicated construction of racial identity. Speaking to concerns running through postcolonial studies and American literature at large, Racial Asymmetries employs an interdisciplinary approach to reveal the unbounded nature of fictional worlds.
Racial Castration by
Racial Castration, the first book to bring together the fields of Asian American studies and psychoanalytic theory, explores the role of sexuality in racial formation and the place of race in sexual identity. David L. Eng examines images--literary, visual, and filmic--that configure past as well as contemporary perceptions of Asian American men as emasculated, homosexualized, or queer. Eng juxtaposes theortical discussions of Freud, Lacan, and Fanon with critical readings of works by Frank Chin, Maxine Hong Kingston, Lonny Kaneko, David Henry Hwang, Louie Chu, David Wong Louie, Ang Lee, and R. Zamora Linmark. While situating these literary and cultural productions in relation to both psychoanalytic theory and historical events of particular significance for Asian Americans, Eng presents a sustained analysis of dreamwork and photography, the mirror stage and the primal scene, and fetishism and hysteria. In the process, he offers startlingly new interpretations of Asian American masculinity in its connections to immigration exclusion, the building of the transcontinental railroad, the wartime internment of Japanese Americans, multiculturalism, and the model minority myth. After demonstrating the many ways in which Asian American males are haunted and constrained by enduring domestic norms of sexuality and race, Eng analyzes the relationship between Asian American male subjectivity and the larger transnational Asian diaspora. Challenging more conventional understandings of diaspora as organized by race, he instead reconceptualizes it in terms of sexuality and queerness.
Racial Melancholia, Racial Dissociation by
In Racial Melancholia, Racial Dissociation critic David L. Eng and psychotherapist Shinhee Han draw on case histories from the mid-1990s to the present to explore the social and psychic predicaments of Asian American young adults from Generation X to Generation Y. Combining critical race theory with several strands of psychoanalytic thought, they develop the concepts of racial melancholia and racial dissociation to investigate changing processes of loss associated with immigration, displacement, diaspora, and assimilation. These case studies of first- and second-generation Asian Americans deal with a range of difficulties, from depression, suicide, and the politics of coming out to broader issues of the model minority stereotype, transnational adoption, parachute children, colorblind discourses in the United States, and the rise of Asia under globalization. Throughout, Eng and Han link psychoanalysis to larger structural and historical phenomena, illuminating how the study of psychic processes of individuals can inform investigations of race, sexuality, and immigration while creating a more sustained conversation about the social lives of Asian Americans and Asians in the diaspora.
The Racial Middle by
The divide over race is usually framed as one over Black and White. Sociologist Eileen O'Brien is interested in that middle terrain, what sits in the ever-increasing gray area she dubbed the racial middle. The Racial Middle, tells the story of the other racial and ethnic groups in America, mainly Latinos and Asian Americans, two of the largest and fastest-growing minorities in the United States. Using dozens of in-depth interviews with people of various ethnic and generational backgrounds, Eileen O'Brien challenges the notion that, to fit into American culture, the only options available to Latinos and Asian Americans are either to become white or to become brown. Instead, she offers a wholly unique analysis of Latinos and Asian Americans own distinctive experiences--those that aren't typically White nor Black. Though living alongside Whites and Blacks certainly frames some of their own identities and interpretations of race, O'Brien keenly observes that these groups struggles with discrimination, their perceived isolation from members of other races, and even how they define racial justice, are all significant realities that inform their daily lives and, importantly, influence their opportunities for advancement in society. A refreshing and lively approach to understanding race and ethnicity in the twenty-first century, The Racial Middle gives voice to Latinos and Asian-Americans place in this country's increasingly complex racial mosaic.
The Sum of Our Parts by
Largely as a result of multiracial activism, the U.S. Census for 2000 offers people the unprecedented opportunity to officially identify themselves with more than one racial group. Among Asian-heritage people in this country and elsewhere, racial and ethnic mixing has a long but unacknowledged history. According to the last U.S. Census, nearly one-third of all interracial marriages included an Asian-descent spouse, and intermarriage rates are accelerating. This unique collection of essays focuses on the construction of identity among people Asian descent who claim multiple heritages. In the U.S., discussions of race generally center on matters of black and white; Asian Americans usually figure in conversations about race as an undifferentiated ethnic group or as exotic Eurasians. The contributors to this book disrupt the standard discussions by considering people of mixed Asian ethnicities. They also pay particular attention to non-white multiracial identities to decenter whiteness and reflect the experience of individuals or communities who are considered a minority within a minority. With an entire section devoted to the Asian diaspora, The Sum of Our Parts suggests that questions of multiracial and multiethnic identity are surfacing around the globe. This timely and provocative collection articulates them for social scientists and students.
The Chinatown War by
In October 1871, a simmering, small-scale turf war involving three Chinese gangs exploded into a riot that engulfed the small but growing town of Los Angeles. A large mob of white Angelenos, spurred by racial resentment, rampaged through the city and lynched some 18 people before order was restored. In The Chinatown War, Scott Zesch offers a compelling account of this little-known event, which ranks among the worst hate crimes in American history. The story begins in the 1850s, when the first wave of Chinese immigrants arrived in Los Angeles in the wake of the 1849 California gold rush. Upon arrival, these immigrants usually took up low-wage jobs, settled in the slum neighborhood of the Calle de los Negros, and joined one of a number of Chinese community associations. Though such associations provided job placement and other services to their members, they were also involved in extortion and illicit businesses, including prostitution. In 1870 the largest of these, the See-Yup Company, imploded in an acrimonious division. The violent succession battle that ensued, as well as the highly publicized torture of Chinese prostitute Sing-Ye, eventually provided the spark for the racially motivated riot that ripped through L.A. Zesch vividly evokes the figures and events in the See-Yup dispute, deftly situates the riot within its historical and political context, and illuminates the workings of the early Chinese-American community in Los Angeles, while simultaneously exploring issues that continue to trouble Americans today. Engaging and deeply researched, The Chinatown War above all delivers a riveting story of a dominant American city and the darker side of its early days that offers powerful insights for our own time.
Driven Out by
The brutal and systematic “ethnic cleansing” of Chinese Americans in California and the Pacific Northwest in the second half of the nineteenth century is a shocking–and virtually unexplored–chapter of American history.Driven Outunearths this forgotten episode in our nation’s past. Drawing on years of groundbreaking research, Jean Pfaelzer reveals how, beginning in 1848, lawless citizens and duplicitous politicians purged dozens of communities of thousands of Chinese residents–and how the victims bravely fought back. In town after town, as races and classes were pitted against one another in the raw and anarchistic West, Chinese miners and merchants, lumberjacks and field workers, prostitutes and merchants’ wives, were gathered up at gunpoint and marched out of town, sometimes thrown into railroad cars along the very tracks they had built. Here, in vivid detail, are unforgettable incidents such as the torching of the Chinatown in Antioch, California, after Chinese prostitutes were accused of giving seven young men syphilis, and a series of lynchings in Los Angeles bizarrely provoked by a Chinese wedding. From the port of Seattle to the mining towns in California’s Siskiyou Mountains to “Nigger Alley” in Los Angeles, the first Chinese Americans were hanged, purged, and banished. Chinatowns across the West were burned to the ground. But the Chinese fought back: They filed the first lawsuits for reparations in the United States, sued for the restoration of their property, prosecuted white vigilantes, demanded the right to own land, and, years before Brown v. Board of Education,won access to public education for their children. Chinese Americans organized strikes and vegetable boycotts in order to starve out towns that tried to expel them. They ordered arms from China and, with Winchester rifles and Colt revolvers, defended themselves. In 1893, more than 100,000 Chinese Americans refused the government’s order to wear photo identity cards to prove their legal status–the largest mass civil disobedience in United States history to that point. Driven Outfeatures riveting characters, both heroic and villainous, white and Asian. Charles McGlashen, a newspaper editor, spearheaded a shift in the tactics of persecution, from brutality to legal boycotts of the Chinese, in order to mount a run for governor of California. Fred Bee, a creator of the Pony Express, became the Chinese consul and one of the few attorneys willing to defend the Chinese. Lum May, a dry goods store owner, saw his wife dragged from their home and driven insane. President Grover Cleveland, hoping that China’s 400,000 subjects would buy the United States out of its economic crisis, persuaded China to abandon the overseas Chinese in return for a trade treaty. Quen Hing Tong, a merchant, sought an injunction against the city of San Jose in an important precursor to today’s suits against racial profiling and police brutality. InDriven Out, Jean Pfaelzer sheds a harsh light on America’s past. This is a story of hitherto unknown racial pogroms, purges, roundups, and brutal terror, but also a record of valiant resistance and community. This deeply resonant and eye-opening work documents a significant and disturbing episode in American history.
At America's Gates by
With the Chinese Exclusion Act of 1882, Chinese laborers became the first group in American history to be excluded from the United States on the basis of their race and class. This landmark law changed the course of U.S. immigration history, but we know little about its consequences for the Chinese in America or for the United States as a nation of immigrants. At America's Gates is the first book devoted entirely to both Chinese immigrants and the American immigration officials who sought to keep them out. Erika Lee explores how Chinese exclusion laws not only transformed Chinese American lives, immigration patterns, identities, and families but also recast the United States into a "gatekeeping nation." Immigrant identification, border enforcement, surveillance, and deportation policies were extended far beyond any controls that had existed in the United States before.
The Chinese in America by
Iris Chang made headlines in 1997 with the publication of The Rape of Nanking-a meticulously researched and brilliantly rendered examination of the sacking of that great city by the Japanese during World War II. Many readers of The Rape of Nankingresponded to its themes of the fight for justice and the assertion of cultural identity-themes Chang expands upon in her new book. Chang, the daughter of second-wave Chinese immigrants, has written an extraordinary narrative that encompasses the entire history of one of the fastest growing ethnic groups in the United States, an epic story that spans 150 years and continues to the present day. Chang takes a fresh look at what it means to be an American and draws a complex portrait of the many accomplishments of the Chinese in their adopted country, from building the transcontinental railroad to major scientific and technological advances. A sensitive, deeply moving story of individuals whose lives have shaped and been shaped by this history, The Chinese in Americais a saga of raw human tenacity and a testament to the determination of a people to forge an identity and destiny in a strange land.
Closing the Gate: race, politics, and the Chinese Exclusion Act by
The Chinese Exclusion Act of 1882, which barred practically all Chinese from American shores for ten years, was the first federal law that banned a group of immigrants solely on the basis of race or nationality. By changing America's traditional policy of open immigration, this landmark legislation set a precedent for future restrictions against Asian immigrants in the early 1900s and against Europeans in the 1920s. Tracing the origins of the Chinese Exclusion Act, Andrew Gyory presents a bold new interpretation of American politics during Reconstruction and the Gilded Age. Rather than directly confront such divisive problems as class conflict, economic depression, and rising unemployment, he contends, politicians sought a safe, nonideological solution to the nation's industrial crisis--and latched onto Chinese exclusion. Ignoring workers' demands for an end simply to imported contract labor, they claimed instead that working people would be better off if there were no Chinese immigrants. By playing the race card, Gyory argues, national politicians--not California, not organized labor, and not a general racist atmosphere--provided the motive force behind the era's most racist legislation.
Coming to America (Second Edition) by
One of our generation's best historical accounts of immigration in the United States from the earliest colonial days "Encyclopedic in scope, yet lively and provocative.... One of those rare book that will serve experts and the general public equally well." - San Francisco Chronicle Former professor Roger Daniels does his utmost to capture the history of immigration to America as accurately as possible in this definitive account of one of the most pressing and layered social issues of our time. With chapters that include statistics, maps, and charts to help us visualize the change taking place in the age of globalization, this is a fascinating read for both the student studying immigration patterns and the general reader who wishes to be more well-informed from a quantitative perspective. Daniels places more recent cases of migration in the Americas within the rich history of the continents pre-colonialism. This invaluable resource is filled with maps and charts designed to help the reader see patterns that surface when studying the movement of peoples over time.
Entry Denied by
In 1882, Congress passed a Chinese exclusion law that barred the entry of Chinese laborers for ten years. The Chinese thus became the first people to be restricted from immigrating into the United States on the basis of race. Exclusion was renewed in 1892 and 1902 and finally made permanent in 1904. Only in 1943 did Congress rescind all the Chinese exclusion laws as a gesture of goodwill towards China, an ally of the United States during World War II. Entry Denied is a collection of essays on how the Chinese exclusion laws were implemented and how the Chinese as individuals and as a community in the U.S. mobilized to mitigate the restrictions imposed upon them. It is the first book in English to rely on Chinese language sources to explore the exclusion era in Chinese American history.
The Indispensable Enemy by
The Indispensable Enemy examines the anti-Chinese confrontation on the Pacific Coast as it was experienced and rationalized by the white majority. Focusing on the Democratic party and the labor movement of California through the forty-year period after the Civil War, Alexander Saxton explores aspects of the Jacksonian background which proves crucial to an understanding of what occurred in California. The Indispensable Enemy looks beyond the turn of the 19th century to trace results of the sequence of events in the West for the labor movement as a whole, influencing events that led to the crystallization of an American concept of national identity.
Laws Harsh As Tigers by
Focusing primarily on the exclusion of the Chinese, Lucy Salyer analyzes the popular and legal debates surrounding immigration law and its enforcement during the height of nativist sentiment in the early twentieth century. She argues that the struggles between Chinese immigrants, U.S. government officials, and the lower federal courts that took place around the turn of the century established fundamental principles that continue to dominate immigration law today and make it unique among branches of American law. By establishing the centrality of the Chinese to immigration policy, Salyer also integrates the history of Asian immigrants on the West Coast with that of European immigrants in the East. Salyer demonstrates that Chinese immigrants and Chinese Americans mounted sophisticated and often-successful legal challenges to the enforcement of exclusionary immigration policies. Ironically, their persistent litigation contributed to the development of legal doctrines that gave the Bureau of Immigration increasing power to counteract resistance. Indeed, by 1924, immigration law had begun to diverge from constitutional norms, and the Bureau of Immigration had emerged as an exceptionally powerful organization, free from many of the constraints imposed upon other government agencies.
The Unwelcome Immigrant: the American image of the Chinese, 1785-1882 by 
Encyclopedia of Japanese American History
Japanese Americans have played an important and largely unrecognized role in American history. Only in the last twenty years has a more complete story emerged.
The Politics of Prejudice by
This classic study offers a history of anti-Japanese prejudice in California, extending from the late nineteenth century to 1924, when an immigration act excluded Japanese from entering the United States. "The Politics of Prejudice" details the political climate that helped to set the stage for the incarceration of Japanese Americans during World War II and reveals the racism present among middle-class American progressives, labor leaders, and other presumably liberal groups.
Picture Bride Stories by
During the 1885 to 1924 immigration period of plantation laborers from Japan to Hawaii, more than 200,000 Japanese, mostly single men, made the long journey by ship to the Hawaiian Islands. As it became apparent that they would never return to Japan, many of the men sent for brides to join them in their adopted home. More than 20,000 of these "picture brides" immigrated from Japan and Okinawa to Hawaii to marry husbands whom they knew only through photographs exchanged between them or their families. Based on Barbara Kawakami's first-hand interviews with sixteen of these women, Picture Bride Stories is a poignant collection that recounts the diverse circumstances that led them to marry strangers, their voyages to Hawaii, the surprises and trials that they encountered upon arriving, and the lives they led upon settling in a strange new land. Many found hardship, yet persevered and endured the difficult conditions of the sugarcane and pineapple plantations for the sake of their children. As they acclimated to a foreign place and forged new relationships, they overcame challenges and eventually prospered in a better life. The stories of the issei women exemplify the importance of friendships and familial networks in coping with poverty and economic security. Although these remarkable women are gone, their legacy lives on in their children, grandchildren, and succeeding generations. In addition to the oral histories--the result of forty years of interviews--the author provides substantial background on marriage customs and labor practices on the plantations.
